Contact
Please email all enquiries to: Ralph Snook (Salon Chairman) – chairman@bristolsalon.co.uk
Sections
The Salon will consist of Three (3) Print and Three (3) Projected Digital Image sections.
Print:
– Open Colour (PSA PPD LC)
– Open Monochrome (PSA PPD LM)
– Nature (PSA ND-P)
Projected Digital Image:
– Open Colour (PSA PIDC)
– Open Monochrome (PSA PIDM)
– Nature (PSA ND)
Monochrome images may not be entered in Colour sections.
The Exhibition will be conducted in accordance with the rules of FIAP and the PSA. All acceptances will count towards FIAP, PSA and GPU Distinctions.
A maximum of four entries may be submitted into any one Section. The same photograph may not be entered into more than one Section. All entries must have a unique title and that title must not have been changed if the entry has previously been accepted in ANY other International Exhibition or Salon. Images meeting the Monochrome definition and non-manipulated colour images from the same capture shall be considered the same image and must be given the same title.
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant.
Fees
Payment of Entry Fees is to be made through PayPal using either your own PayPal account or by utilising any current credit or debit card. All payments will be charged in Sterling. . Please note, Overseas entrants have the option of receiving a digital copy of the catalogue or pay the additional postage fee to receive a printed catalogue.. The appropriate fees are set out below.
Return of Prints:
If you have elected to have your prints returned, and not requested that we forward them to the Midland International Exhibition on your behalf, you MUST add return postage as follows: UK Flat Fee £6 PLUS 10p for each un-mounted print Overseas Flat Fee £10 PLUS 10p for each un-mounted print.
Non Payment of Fees:
Entries for which the appropriate fee has not been received, will not be judged.
Selectors
Click here to see the list of judges for each section.
Awards
Catalogue
Catalogues – Printed
UK Entrants and Overseas entrants that have opted to pay the additional postage will receive a FIAP 4* colour printed catalogue. Catalogues will be posted 2nd Class for UK entrants and surface mail for overseas entrants. A high quality version of the catalogue will be available as a ‘flip book’ and/or pdf for entrants to download from the Bristol Salon Website
Notifications
Notification of results will be sent by email. You must ensure that you provide an active email address and that spam filters are set to accept emails from BPS@PhotoCompEntries.net. Notifications will not be sent by post. Certificates for all acceptances and awards will be sent shortly after the results email. Medals will be posted separately
Public Showings
A representative selection of the accepted images (approx. 30%) will be projected at public showings, without the need to obtain specific consent.
General Conditions
Image and Entry Requirements
This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these Conditions of Entry. Membership in any photographic organization is not required.
In particular please ensure that all elements of any submitted image must be the work of the author, who also holds the copyright of those elements.
Entries will not be accepted from any entrant who has been put on the on the PSA Penalties List for Ethics Violation or the ,FIAP Red List.
Image creation and ownership
In all sections of the exhibition, images must originate as photographs made by the entrant. They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Editing or altering of images is permitted within the limits specified in the section definitions that are available here https://psa-photo.org/page/division-definitions. Any person submitting or attempting to submit a totally AI generated image that does not begin with a light capture from the maker to any Photographic Society of America exhibition, social media, event, or publication, other that for editorial purposes, shall be prohibited from PSA for a period of from 3 years to life.
Reproduction
The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition. The exhibition assumes no liability for any misuse of copyright.
Re-use of accepted images
Any image that has been previously accepted in any running of the Bristol Salon may not be entered again into this year’s Bristol Salon.
Entry
An Entry consists of, up to and including, four (4) images entered by a single entrant into the same
Section. An entrant may enter from one (1) to six (6) Sections but may only enter a specific Section once. Entrants may not enter identical or similar images into the same section or different sections of the same exhibition. Similar is defined as almost identical in subject, composition, props, lighting or technique so that a reasonable person viewing the entries together would decide the entrant has duplicated the previous image except for minor changes.
Titles
Each image must have a unique title that relates to the content of the image. Titles must be 35 characters or fewer and use only the Latin/Roman alphabet, i.e. A/a – Z/z and 0 – 9. No titles may be visible to the selectors, and nothing in the image may identify the maker. Titles must not include file extensions such as .jpg or .jpeg (or any other camera capture filenames eg IMG 471). Titles may not consist of personal identifiers possibly augmented by a number: or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race. Nature entries should not have “cute titles” but should have descriptive titles that properly identify the subject.
Colour and Monochrome
Colour and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
Monochrome and colour versions of the same image are not both permitted to be submitted in either the same or different sections of the Salon, only one may be submitted.
Submission
Please Note: Entries will only be accepted using the official on-line system please click here.
Images and a completed entry form must be submitted on-line using the Bristol Salon website (www.bristolsalon.co.uk) and then following the links to the entry system. Entries will not be accepted on CD or by email. You MUST use only the Western/Latin alphabet when submitting an entry.
a) The Entry Forms must be completed fully.
b) It is your responsibility to ensure that the Entry Forms are CLEARLY and CORRECTLY completed in ALL respects. Where the Exhibition Organisers consider that this is not the case, they will not accept any responsibility for the safe delivery of Report Cards, Catalogues or Awards.
c) Entry Fees will be paid via PAYPAL. Please refer to the Entry Fees Panel for details of Entry Fees. In the specific cases where your own country’s regulations prevent the use of PayPal, you should contact the Salon Chairman to make alternative arrangements. Please note that entries without the correct fee or without any fee will not be judged.
d) Entries must be received by the published closing date, 31 January 2025
Image Size & Format
Projected Digital Images
Images should be in JPEG format. Maximum image size (including any borders) is 1600 pixels horizontally and 1200 pixels vertically. Please note, portrait orientated images must be no larger than 1200 pixels vertically. Smaller images are acceptable but will be projected smaller on the screen.
The projection background is black, DO NOT fill empty space with/or add large borders. Any borders should be no greater than 2 pixels wide and must be incorporated within the 1600 x 1200 pixels image size. Please check all image sizes before submission; images with sizes larger than specified will be rejected.
Prints
Prints MUST be sent unmounted, mounted prints will not be judged. Prints must be no larger than A3 (29.7 x 42 cm). Prints will be accepted on A3 or A4 paper only, entries on any other size paper will not be judged.
The image may be any size within the paper, but do not cut the paper to match the actual image size.
Scoring labels will be generated and attached by the Salon Organisers, but the back of each print submitted must be marked with the name of the entrant and the title of the print in one of the official FIAP languages (using the English alphabet).
The titles on the backs of prints must match the titles on the Entry Form. Only pressure sensitive (self adhesive) labels may be used on the back of unmounted prints. Please do not attach these in the top right corner of the print (viewed from the back).
Prints should be sent to
Chairman, Bristol International Salon
8 Knole Close
Almondsbury
Bristol
BS32 4EJ
England
Prints will be returned if requested and the postage fee is paid. The Bristol Salon, is the first salon in the group of UK print salons consisting of ‘The Midland Salon’, the ‘Smethwick International Salon’, and the ‘Southampton International Salon’, Prints can therefore be forwarded to the Midland Salon if required. There is no fee for forwarding the prints, but you must check the forward print request on the online entry form in order for them to be sent to the Midland Salon. Entrants who forward prints will of course have to enter the Midland Salon in the normal manner. If you are not forwarding prints, and have not paid to have them returned then entry to the exhibition is taken as authorisation for the exhibition to destroy the prints when the exhibition ends.
You MUST submit a digital version of your print during the entry process. The digital image should have the same content and colouration as the print. Image size for the digital version must follow the guidelines for digital image submission shown above. The digital version of your print will only be used in catalogue production, website galleries and public showing of accepted images and will not be viewed by the selectors.
Organisation
The Exhibition will be conducted in accordance with the rules of the PSA and FIAP and the GPU.
All acceptances will count towards FIAP, PSA and GPU Distinctions. PSA Star Ratings: To receive proper star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of a name change or relocation to another country. Using one’s name differently in different exhibitions exposes the entrant to the risk that many of their acceptances may not be recognized in PSA Star records.
Judging
An entrant’s images will not be presented to the selectors consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant.
The judges will view the images together in the same location. The digital images are presented for assessment by our selectors using a colour calibrated EPSONEB-L630U digital projector displaying the images at 100% of the image resolution. No resizing of any image will take place. The equipment assumes that the image is in sRGB. If you use a different colour space, you should convert to sRGB before submitting If your entries do not meet the specifications they may not display correctly and we may not be able to judge them.
Target range: Acceptance rates will be from 24% to 30% in each section.
An entrant can only receive one award in a section.
Data Protection
By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition.
You acknowledge, agree and accept that by entering this exhibition, your participation status which includes your first and last name, name of the country used during registration at the exhibition , number of sections entered and number of photos entered in those sections will be made public in a published status list and that the results of your entry shall be made public in exhibition gallery, and exhibition catalogue.
Subject Matter & Definitions
Statement on Subject Matter – applicable to all sections
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with FIAP patronageor PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with FIAP patronage. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There is also concern about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupts the way any individuals or animals interact with their environment. Entrants in PSA or FIAP recognized exhibitions should comply with all relevant laws and regulations associated with aerial photography in the county in which the image was taken.
Entry in this exhibition is conditional on accepting these policies. The content of images must comply with these General Conditions and with the Division and Section definitions listed in these conditions. Images that in the sole opinion of the selectors or the Exhibition Organisers do not comply will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA Recognition or FIAP patronage.
FIAP Monochrome Definition
A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category; such a work requires colour reproduction in the catalogue of a salon under FIAP Patronage
PSA Monochrome Definition
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-coloured image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot colouring does not meet the definition of monochrome and shall be classified as a Colour Work.
Monochrome images may not be entered in Print or Digital Colour sections.
Nature – PSA/FIAP Definition
Content Guidelines
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both over water and underwater. Nature images must convey the truth of the scene. A well-informed person should be able to identify the subject of the image, be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity threatening a living organism’s life or welfare are not allowed. The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural.
- Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
- Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
- Photographs made where the scene is natural and the animal is unharmed in a carefully managed environment, such as zoo, rescue shelters, and ethically managed natural farms are permitted.
- Attracting or controlling subjects through the use of food or sound for the purpose of photographing them is not allowed. Maintained situations such as provided supplemental food due to hardship caused by weather conditions or other conditions beyond the animals’ control, where photography is incidental to the feeding of the animal does not fall under this provision.
- Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for a photograph is not allowed.
- Images taken with subjects under controlled conditions, such as zoos, are allowed.
- Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
- Human-made elements shall be permitted under the following circumstances:
- When they are an integral part of the nature story, such as a songbird singing atop a fence post, a manmade object used as nest material, or a weather phenomenon destroying a man-made structure.
- When they are a small but unavoidable part of the scene, such as an unobtrusive footprint or track in the background.
- Scientific tags, collars, and bands are specifically allowed.
When photographing at a zoo, sanctuary, or rehabilitation center, it would be construed that the photographer ensured that it’s properly accredited and conforms to best practices.
Editing guidelines for Nature
Processing or editing must be limited to making an image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed editing techniques:
- Cropping, straightening and perspective corrections.
- Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
- Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
- Complete conversion of colour images to grayscale monochrome.
- Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or photo stacking).
- Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas).
Editing techniques that are not allowed:
- Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
- Adding a vignette during processing.
- Blurring parts of the image during processing to hide elements in the original scene.
- Darkening parts of the image during processing to hide elements in the original scene.
- All conversions other than to complete grayscale monochrome
- Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of colour
Breaches of Rules:
FIAP
The mention that by the sole act of submitting his/her images or files to a salon under FIAP Patronage, the entrant accepts without exception and with no objection the following terms: –
- that the submitted images can be investigated by FIAP to establish if these obey to FIAP regulations and definitions even if the entrant is not a member of FIAP,
- that FIAP will use any means at its disposal for this undertaking,
- that any refusal to cooperate with FIAP or any refusal to submit the original files as captured by the camera, or failure to provide sufficient evidence, will be sanctioned by FIAP,
- that in case of sanctions following the non compliance with FIAP regulations, the name of the entrant will be released in any form useful to inform the breaches of the rules.
- It is recommended to leave the EXIF data in the submitted files intact in order to ease eventual investigations. If, at any time, it is determined in the reasonable discretion of the exhibition organizer or the judges before, during, or after the judging of an exhibition that an entrant has submitted entries where one or more images may fail to comply with these Conditions of Entry, including the stated definitions, the exhibition organizers reserve the right to delete the entry from the exhibition and void any or all acceptances or awards in connection with the exhibition. Fees may be forfeited or refunded in these circumstances. The entrant acknowledges that the decision of the exhibition organizers or the judges is final.
PSA
See the PSA Ethics Policy at https://psa-photo.org/page/ethical-practices
See the PSA statement on Subject Matter, Statement on Artificial Intelligence, and image creation and authorship at https://psa-photo.org/page/division-definitions
If an entrant submits an image that appears to be non-compliant, the chair or judges may request the unedited or raw file of the submitted image to verify compliance, including authorship. For composite images all files are required. Such entries may be referred to PSA for further investigation of possible ethics violations. Entrants who do not respond to this request or who do not cooperate with the investigation team may be penalized.
PSA retains the right to investigate all complaints, impose penalties if deemed necessary, void the acceptances of any image found to violate the PSA rules, and add the entrant’s name to the PSA Penalty List which is shared with PSA and FIAP chairs. Entrants automatically agree to these terms by entering the Exhibition.
If, in the discretion of the exhibition organizer or the judges, an entrant has submitted an entry where one or more images may fail to comply with these Conditions of Entry, they are allowed to request unedited or raw files of the submitted image(s). For composite images all files are required.
Exhibition organisers may verify that:.
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry
PSA retains the right to investigate all complaints, impose penalties if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
Agents and other indirect submissions:
● Agencies and third-party entities who process or submit images on an entrant’s behalf must register with Exhibition Services. This is to ensure both the agency and the entrants are aware of the rules prior to submitting images. Agencies who frequently submit images which incur violations may also be penalized.
● Entrants will be held responsible for adhering to the entry rules and will be subject to penalties for any violations to these Conditions of Entry or to PSA’s Statement of Ethics, regardless of whether they submit images through a third party or not.
Notice to Entrants
FIAP
In order to have legal authority on those who do not respect the rules of FIAP, the organiser must ensure that all participants of an online event under FIAP Patronage tick a box next to which the following text is stated:
“I hereby expressly agree to FIAP document 018/2017 « Conditions and regulations for FIAP Patronage »
and FIAP document 033/2021 « Sanctions for breaching FIAP regulations and the red list ». I am particularly aware of chapter II « Regulations for International photographic events under FIAP patronage » of FIAP document 018/2017, dealing under Section II.2 and II.3 with the FIAP participation rules, the sanctions for breaching FIAP regulations and the red list
PSA:
When entrants fills in the Entry Form to submit an entry they will see the following feature to affirm they have read these Conditions of Entry
“I hereby confirm that I have read and understood and agree to the Conditions of Entry of this exhibition. I have read and understood the PSA document to be found at https://psa-photo.org/resource/resmgr/pdf/exhibitions_/exhibition-entrants-agreemen.pdf . I am aware that PSA may apply penalties for non-compliance to these Conditions of Entry”
Failure to agree will mean that the application will not proceed.
Patronages & Recognition
The Salon has the Patronage of the PSA, FIAP, GPU and the PAGB.
The Bristol Salon of Photography is organised by Bristol Photographic Society.
Bristol Photographic Society is a Registered Charity – No. 297259
Limited by Guarantee – Registered in England No. 2004478
Registered Office: Unit 13, Montpelier Central, Station Rd, Bristol, BS6 5EE, England.